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Guy A. Lepage was mentioned in this blog’s first post as being the host of Tout le monde en parle.
Where does one begin (or end) when talking about Guy A. Lepage? From a pop-culture point-of-view, he has a long list of accomplishments – a force unto himself over a period of 30 years, with wide reaching appeal in Quebec culture (but from his youthful looks and energy levels, you’d never guess he was born in 1960!).
It would take a book to write about the number of cultural and popular awards he has won, or just how well-known he is with Francophones.
In pop-culture, there are past references we can all recall from when we were younger; references you can joke about any time, and have them instantly understood by your peers. These shared experiences create a feeling of belonging, commonality, and sense of “yah, I remember that — yes, we are cut from the same mould – , and yes, we get each other in a way nobody from another culture could”.
That’s why pop-culture is an important building block to nationhood in the social sense. In an English-Canadian context, an example of might be the “Chicken Lady” from Kids in the Hall. Despite how long the show has been off air, many Anglophone Canadians in their 30’s or 40’s (maybe even 50’s) would instantly understand the context if you mimicked the Chicken Lady. Even regurgitating that the “Polkaroo” call from Polkadot Door makes for instant recognition — a bonding feeling of “Yah, I get you… we’re definately hatched from the same nest!” (mention Polkaroo to someone in Prince George, Moose Jaw, Windsor, or St. John and you’ll get the same nod and smile).
Guy Lepage has appeared in so many popular programmes, on so many different media platforms, that it could be said he has been a source of many Québec pop-culture references over the past 30 years. He has become a bonding figure for Québec pop-culture and society in general through the major events in Québec during that period. That’s a powerful force in all senses of the word. Whether it’s on purpose of inadvertent, pop-culture holds sway and influence over public opinion on a range of issues. Being at the helm of numerous programmes also means one has a degree of control over the business and economic end of what the public will see when they turn on their television or radio in the evening.
He rose to stardom as one of the main actors in the regularly aired comedy group Rock et belles oreilles (simply known as RBO). It ran for nearly 15 years on TV. For comparison sake, its presentation style was similar to that of Kids in the Hall. Kids in the Hall could be considered risqué for its time, often making fun of issues like sex and homosexuality, at a time when it was daring to touch upon those subjects on TV — let alone make fun of the issues (remember the “anal probes”?). In a national sense, the programme probably played some role in pushing the envelope of public awareness and acceptability.
With that reference in mind, RBO also used humour during the same era, but to a broader and deeper degree (sexual inuendo, homosexuality, politics, sovereignty issues, Anglophones, Francophones, public figures of all streams and colours, and various ethical issues). The majority of the sketches may not have been overly controversial, but by integrating humour into sensitive topics, RBO captivated the province and drew in the masses.
Since the programme disbanded, the actors went their separate ways and continued on various paths of stardom. But none of them achieved the status of Guy Lepage today.
In the early 2000s, he became more focused on the actual production of TV programmes. He created the Québec version of the France TV programme Un gars une fille, which ran weekly on Radio-Canada from 1997 to 2003. Apart from being the producer, Guy was also the main co-actor. The show became supremely popular, centered on the funny and quirky dynamics between a husband (played by Lepage) and his wife. The success of the series cannot be underestimated. It’s one of the most internationally prize-winning TV series in Canadian history, and has been adapted and copied in 26 other countries, more so than most any other TV programme in the history of television — full stop. With that, Lepage has a larger-than-life status in Québec and francophone pop-culture (it may now be more apparent why I mentioned two posts earlier that there were Francophones seemingly “shocked and horrified” when Le Journal de Montréal poll revealed the vast majority of Anglophone Canadians had absolutely no idea who Lepage was – despite the international accolades he has attracted towards both Québec, and Canada as a whole).
Since Un gars une fille went off the air in 2003, Lepage was further propelled into the sky when he adapted the France TV interview show Tout le monde en parle to create the still-running Québec version, starting in 2004 (the topic of this blog’s first post).
Apart from these achievements, Lepage has been an actor in several movies, he’s been the host of several major TV events (Québec national award ceremonies, annual galas, live televised celebrations, etc.), a stage-actor, an actor in commercials, and the producer of other artistic endeavours (with the TV comedy Les Chick’n Swell also having been galvanized in Québécois collective memory).
One of the most surprising aspects of his career is his brilliance as in interviewer. Perhaps it is owing to his boldness stemming from his RBO days of pushing the envelope into uncharted territory, or perhaps it is his overall confidence stemming from his contact with all aspects of society – but it’s undeniable that his talents as a provocative, probing, and quick-witted interviewer are quite unique. There are elements of Québec society who may not agree with the direction he takes his interviews, which battles he picks and choses – or who he choses to single out in interviews (he does have political and social opinions), but few would deny his talent. He nonetheless deserves much respect and accolade.
With all of this behind him, it’s a wonder Guy A. Lepage has time to sleep. And with his energy levels and determination, it will be interesting to see what comes next, what it will lead to, and how it will shape Québec society’s collective views.
References to search online to view or read:
- Tout le monde en parle (TLMEP)
- Un gars une fille
- Rock et belles oreilles (RBO)
Radio-Canada sells past programmes in various formats. Please do not pirate.
“Tout le monde en parle” (Everyone is talking about it) is Québec’s most watched weekly television program (with millions of viewers per episode). The viewer numbers are so large, that it actually is not an exaggeration to say the streets of Québec and Francophone Canada are quiet on Sunday evenings because everyone is inside watching the program.
The show regularly interviews headline news makers, and often in a controversial manner. The irony is because the interviews are so audacious, Tout le monde en parle itself regularly becomes Québec’s headline news story the day after it airs. There has been nothing quite like it in Canadian or Québec history (and possibly nothing like it in the history of North American television).
It is a long-running TV interview show (since 2004), filmed in front of a live-audience, broadcast once a week (two hours every Sunday evening, from 8pm to 10pm) on Radio-Canada. It is broadcast across Canada – thus regardless where you are in the country, you will be able to watch it. It is not broadcast during the summer. It was created by household-name Guy A. Lepage (one of Quebec’s best known actors, comedians, and interviewers).
It takes the format of Guy, and his sidekick Danny Turcot, interviewing well-known personalities from cultural, media, news, or political spheres — sitting at a table opposite to the hosts. Topics are most always on current events related to those being invited. Several invitees will often appear in one show, sitting side-by-side. Often the invitees will have opposing points of views. Because of this configuration, sparks can sometimes fly, and unexpected debates can ensue, especially if the opposing views of the invitees are of an emotional nature (think politics, or ethical issues).
The program often has heavy societal, social, and political overtones — often shrouding subjects in a serious overtone. The host has entrenched political views, and his questions can become very pointed, critical and less-than-subtle (aimed at both friends and foes alike). However, regardless of the host’s own political or social views (which do come through on the show – there is no doubt about it) Guy A. Lepage plays it cool, adds a lot of humour, and it makes for a great entertainment factor.
The program also provides the audience with a rare chance to see celebrities, politicians and other newsmakers in either a relaxed setting, or under the heat (questions and criticism of the invitees can become very unbalancing — which is precisely one of the reasons the show is so popular). For this reason, it’s one of the highest rated, and best known television shows in Quebec — hence “Everyone is talking about it”.
The most famous names in society appear on the program, but even if someone is not so well known, they will be a household name after appearing on the show (in the hours running up to the show’s airing, Lepage has even been known to tell lesser known guests to get ready to become a household name and recognized everywhere as soon as the show goes to air).
Because of popularity of the interviewees, this is one of those shows which is a sure-fire fast-track to familiarize oneself with popular topics and people being currently discussed in Quebec society during at the office water-cooler, among friends, or in the news.
For Anglophone Canadians, it is also a great way to improve your level of French (you’ll find guests speak with a mix of styles of French, be it standard québécois, local accents, and sometimes joual).
– The show’s official website is http://ici.radio-canada.ca/tele/tout-le-monde-en-parle/2014-2015/
– The show’s wikipedia article has highlights of some of the better known moments:
- (English) http://en.wikipedia.org/wiki/Tout_le_monde_en_parle_(Quebec)
- (French – much better) http://fr.wikipedia.org/wiki/Tout_le_monde_en_parle_(Qu%C3%A9bec)