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Alex Nevsky (#95)

Alex Nevsky is a singer who has been top of the charts for the last couple of years in Québec, and continues to be top of the charts today (I just checked, and his song “Vivre pauvre” is currently charting at #4 on Le grand décompte (the hit countdown) on Radio NRJ Montréal).

He’s quite young, but at 28 years old, he has achieved a phenomenal amount of success as a pop-singer.   He began to play the piano at a later age, then rapidly decided he wanted to study music (his home town, Granby, hosts the National College of Music).  He performed a bit, quickly garnered attention, and his career has been up up up ever since.

Nevsky is originally from the small city of Granby East of Montréal in the Eastern Townships.   In fact, Alex Nevsky is his stage name – his real name is Alexandre Parent (the stage name is inspired after the medieval Russian warrior, Alexander Nevsky).  His first album, in 2010 was produced by Yann Perreau, a big name in song-composing and producing circles in Québec (Perreau is one of the more influential contemporary personalities of pop music over the last 10 to 15 years).

Nevsky has been doing some major touring (around 50 dates in the past year), and various ticket dates are already on sale well into 2015 in various cities.

The following are some his better known songs, and those which are heard most often on the radio:

  • Les calories – #1 for three months
  • On leur a fait croire – #1 for more than a month
  • Milles raisons
  • Tuer le désir
  • Notre coeur
  • Les pas de la danse

Interestingly, he has publicly said he was a huge rap fan, and rap played a role in cementing his interest in music.  Yet his music seemingly has little (actually nothing) to do with rap.  I’d generally classify it as folk-pop-rock.

Alex Nevsky’s official website is http://alexnevsky.ca.

Now, when you think of Granby, other than the well-known zoo and the popular music festival (which most people associate with the town), you can also think of Alex Nevsky.

His music is for sale through various venues.  Please stick to official websites in your search for his music, and do not pirate (our artists are part of our cultural fabric).


“Our 32 accents” Series: Canadian French accents OVERVIEW – Post 1 of 7 (#86)

Welcome to the first post, in a seven-part series, on our very own Canadian French accents!   
The links for the 7 posts are just little further below.  Feel free to browse through them.  There is a LOT of
  • INFORMATION – If that’s what you came for, that’s what you’ll get 😉
  • VIDEOS – So grab your pop-corn.  You’re going to hear a whole lot of different accents
  • MAPS – Who doesn’t like big, colourful maps !?!
  • PHOTOS – So you can see it all unfold
  • DESCRIPTIONS – Just to give that added bit of extra.


Through my growing-up years, my family had moved numerous times within the country.
During this period, my education was in French wherever we lived in Canada.  As a child, my parents sought to ensure that my French and English were at the same level, and that I was able to identify with Canada’s French language and Francophone culture wherever we lived.
By the time I was 20, I had already lived in four provinces.  Since then, I had lived in another two provinces for a total of six provinces.
Thus, from a very young age, I became quite familiar with many forms of French accents in numerous provinces.
I would not say that I am “unique” with respect to my exposure to various French accents across Canada.  However, I would say that there are not many people who have “lived” so many of our French accent differences across the country.
It is a part of Canada which I hold very close to my heart.  For me, Canada would not be the same without it’s linguistic and cultural duality (regardless of the province), or the diversity of it’s Francophone nature.
I’d like to share some of my own knowledge with you regarding our different accents and realities.

The story you are about to read is one which is as Canadian as it can possibly get.

It is a story which is about “us”, and is a story applicable to all parts of Canada.

If you are Anglophone Canadian, by simple default, this too is part of your own cultural heritage and your own story — by simple virtue that our accents and Francophone culture are “uniquely Canadian”, found coast-to-coast, and nowhere else in the world.
It is not important if you can or cannot speak French.  Rather, what is important is that you are aware of these realities and that you recognize that Canada would not be as rich a country without these accents.
I have done my best to provide comprehensive information, but in a manner which doesn’t require an entire book.  To keep things interesting, in addition to video links of many accent samples, I will also provide anecdotes with some of my own personal stories and experiences, as well as interesting images throughout this series.

Here I made a bit of an intro-video for this series.   In my video, you can hear my own accent below, which is a rural Alberta French accent from the sub-accent zone of East-Central Region of Alberta.

You can read more about this accent and other Western Province accents in the post entitled

“Our 32 Accents” – Post 7:  (Western Province / PRAIRIE FRENCH, 2 main accents, and 4 sub-accents) (#92)

 (There are more Western accent videos I made in the Western Province accent section).




Here are the seven posts in this series:  OUR 32 ACCENTS (7 POSTS)

You may have noticed that the above totals add up to 36 accents (and not 32).

This is because I have included some extra sub-accents (rather than just the major 32 accent groupings).  The sub-accents I included are in Western Canada and Ontario (although, I suppose you could also consider others, such as individual village accents in the Îles-de-la-Madeleine and Île-aux-coudres, as sub-accents also).  I consider a sub-accent to be an accent closely related to a major accents group, but in which speakers may be small in numbers, yet still distinguishable on its own to the extent that its geographic location can be identified simply by listening to the accent.

In this sense, Canada could have 50, 60 or more sub-accents in French (once you take into considering individual village accents in Acadia and Eastern Québec).

After going through this series of seven posts, you’ll hopefully be a proud mini-expert on our accents!  In the end, you’ll likely be more aware of our overall accent situation than even 90% of Canada’s Francophones and Anglophones.  Awareness on these types of topics definately helps to tear down the Two Solitudes.  Your curiosity on the topic and the time you’re taking to read up on it great!  🙂


Canada’s Francophone Flags — quite representative of our various accent regions


Our various accents are something very unique and special about us.   We should be proud of our accents.  They define our regions, how we communicate and how we relate to our friends, families, and peers.  Hearing so many different accents is one of the fun aspects of Canadian French.

Unfortunately, the concept of our regional Canadian French accents is rarely talked about, and is poorly understood by many people in Canada (not only by Anglophone Canadians, but also by Québécois themselves – it’s an area where Anglophone education systems and the Québec provincial education system regrettably fail its citizens by not providing adequate education on the situation of French within Canada). Canadian Francophones and Francophiles outside Québec seem to be much better informed on the subject of our accents, likely because they view French from a more pan-Canadian perspective.

Even when people in other countries think of Canadian French, they too incorrectly assume standardized Québécois French is the only type of French in Canada — whereas, in reality, nothing could be further from the truth.

Here is a bit of a taste of the interesting accent discovery adventure you’re about to embark on.  The following is a video I filmed when camping with friends.  We were watching for eagles which had apparently spotted our dogs and which unbelievably began circling around them (maybe they mistook the puppies for “hot dogs”).

In this video there are three distinct accents:

French Accent “A”:  The Greater Montréal & Upper St. Lawrence Valley Accent

French Accent “B”:  Alberta & Saskatchewan Prairie French Accent

French Accent “C”:  Standard Québécois Accent

1.  Turn on the close captioning button “CC”

2.  Listen very very carefully, and you’ll hear the accent differences.


By my own count, there are over 40 different French accents in Canada, but more likely 60 or 70 if you begin to count individual village accents.

This is a tremendous number considering there are only 9 million mother-tongue speakers of French in the country, or between 9 and 10 million when you factor in people like myself who grew up between linguistic lines, speaking both French and English (but for the sake of simplicity, I’ll limit the accent count to 32 main accent “groups” in this series).

I’ve often seen other country’s “accent maps” which demarcate regions by accent or dialect.   But to my surprise, I have never once come across such a map for Canadian French (although you can find bits and pieces of literature on the different accents).

I put my limited graphics ability to the test… and voilà! — We now have two maps of our very own Canadian French regional accent variations (for both Eastern and Western Canada).

Click maps below to enlarge.  (Special thanks credit to carport for the creative commons permission to modify his topographical maps) 

click maps


nuances accents français de l'ouest du Canada 1


Each number on the map represents an area with unique accent, or at the minimum, traits of a unique accent.  The accompanying legend is below (click to enlarge).

accents français french legend

The next 6 posts will explore in detail the accents on the maps.  

But before you change screens and click to the next pages, I want to first arm you with a little more backgound information.

The maps are not all cut-and-dry, and some upfront explanations are required.

Generally, the different accents on the map are “almost” all mutually intelligible (meaning everyone can understand each other without having to strain one’s ears).  However, there are some accents which pose exceptions to this rule, in which speakers from another region may have a very difficult time understanding the French accent in a small number of other regions.   There are various reasons why:

  • The regional nature of Joual may be very different compared to other regions
  • The accent may be very strong,
  • Expressions may be very different,
  • There may be differences in key vocabulary used. ie: archaisms (antique words) may have been persevered in modern lexicon (vocabulary) in one region, but may have fallen into disuse (or perhaps even never existed) in another region (this is particularly notable in various regions of the Atlantic provinces, which have preserved a greater number of archaisms than Québec, Ontario or the Western Provinces).
  • In some cases, the French verb conjugation system and endings may even be different in a couple regions (certain regions of Canada make up some of the only places, if not the only places in the entire French speaking world where this phenomenon occurs – notably in old Newfoundland French, and in a couple small villages along the Eastern coast of New Brunswick).

To better understand the map, I’ll shed some light on each of the “numbers“ which represent diverse accents and variations of French within Canada.  Where possible, I’ll try to give a more detailed explanation, and even some examples.  I don’t want to make this post too long, so I will divide these explanations into several posts.

  • The remainder of this post will explain the “acronym markers” on the map (SQ, SQ-T, SA, SA-T, T, and MC).
  • Subsequent posts will cover specifics in Ontario, the Atlantic Provinces, Western Canada and Québec.

Let’s begin with the acronym markers.

Acronym Markers:

You’ll notice I placed acronyms on the map:  SQ, SQ-T, SA, SA-T, T and MC.   I’ll explain what these mean.

SQ – Standard Québécois

From the early 1600s until 1964, education in Québec was administered by either the Catholic or Protestant church.   The provincial government even had laws which granted education jurisdiction to the church.   In practice, what this meant was that before 1964 there were approximately 1500 separated school administrative divisions across Québec, and perhaps just as many unique, unstandardized school curricula (as opposed to one curriculum today).   It was a period not only of a lack of uniformity and transferability in the sphere of education in Québec, but society still remained highly agrarian and rural.  Until the 1960s, transportation infrastructure in Québec was rather wanting, and mass mobility was not common.  Communities across Québec lived in relative isolation from one another, and mass-migration to larger cities for work and post-secondary education was not yet a trend.  For the vast majority of a 350 year period, radio and television of course did not exist, and thus there were no trends towards a standardized form of French in Québec.   All these factors kept regional and local accents alive-and-well for hundreds of years.

However, in the 1960s, things on the language front began to radically change.  French began to evolve, and it began to standardize.  It began to evolve and standardize so fast that people could even hear differences in how others spoke depending on what year they were born (someone younger often spoke in a variety of French very different from someone only 10 or 15 years older).   We can still hear these generational differences today.  As far as worldwide languages go, such a rapid standardization is very rare (I can only think of a few places off the top of my head where this has occurred so rapidly – Mainland China and the standardization of Mandarin-Putonghua being one of them, Urdu in Pakistan being another).


The reasons for this rapid standardization are actually for all the opposites reasons why French did not change prior to the 1960s.   In 1964, the government of Québec created the provincial ministry of education, and the Conseil supérieur de l’Éducation, revoking jurisdiction and responsibility for education from the Catholic and Protestant churches.   A unique, province-wide education curriculum was established.  Province-wide radio and television also began forging a collective language identity and language exposure.  People began to move en masse from the countryside to the cities, mixing, blending accents, and losing regional accents.  Massive investments in transportation infrastructure occurred, connecting cities and regions (even the most isolated regions).  In a more abstract sense, the nationalization of industries and the progressive transformations of government infrastructure, services, and institutions also spread a veneer of collective standardization over the entire province.   In a word, the Quiet Revolution was underway.  It was not limited to institutions or physical infrastructure.  It also involved politics, arts, pop-culture, internationalization, the adoption of a societal can-do self-awareness – and language evolution.  This all lead to a standardization trend of French across Québec — a trend which is continuing even today.

Today’s Television news French in Québec could be considered a measure of modern standard French in Québec (accent, grammar and vocabulary).   But, if you were to watch a Radio-Canada newscast from 2014 and compare it to 1954, you would find the accents to be very different.  The choice of accent has changed drastically.  The choice of words were sometimes different, and the grammar was sometimes even different.  In 1954, unlike today, because there was a lack of a relatively standardized French in Québec, newscasters in Québec generally had to forcefully adopt a tone of French reminiscent from France (although it was still not France French, but rather a very close version of it).  It was an artificial accent by necessity, for lack of a true pan-provincial “Standard Québécois” accent.

Below is a link which is a perfect example of what I mean of a newscaster accent, from 50 years ago, which is no longer is used as the modern standard accent (nobody on television speaks with this accent anymore):

  • The following link is a news magazine report on Radio-Canada dating from 1960 regarding a hockey riot (note you have to open it in Internet Explorer because the plug-ins will not work in Chrome or Apple/iOS): http://archives.radio-canada.ca/sports/hockey/clips/339/.
  • Compare the above accent with a modern news cast accent in Standard Québec French, and you will see a large difference. The following is a modern Standard Québec accent:  Click HERE for a link to a broadcast on Radio-Canada from last week.

If the former accent is no longer the modern Standard Québécois accent, how then did the modern accent so easily and rapidly spread into so many regions across Québec?  Since the 1960, thinly populated areas of Québec have subsequently become quite populated, and many regions have undergone a large mixing of populations.  Where there may have been isolated villages with specific accents, there are now large tracts of populated land, replaced by people who grew up with a standardized form of French and education.   Keep in mind that, despite the enormous physical size of Québec, the relatively small, southernmost region of Québec holds the bulk of the province’s population.   Thus there was little in the way to stop a general language standardization where the bulk of the population resides.  I have marked these areas on the map as SQ.

SQ-T – Standard Québécois – Transition

The “T” in this case stands for “Transition”, in a geographic accent sense.   There are still a good number of regions of Québec in which you will hear a regional accent.   However, SQ-T comprises areas where where the traditional regional accent is in rapid decline, transitioning and transforming into a  standard Québécois accent, “SQ”.

T – Transition

These areas of the map are also Transition zones, but not necessarily towards a standardization of French.  Rather, they are zones where one regional accent meets another regional accent.  Inhabitants of these regions speak an almost “blended” accent of two or more regions.  A person from another region might not necessarily be able to pin-down where the accent is from, but they will be able to hear the accent (a good comparative example in Canadian English might be the Southern Saskatchewan accent versus the Northern Alberta accent.   My own English Accent is from Northern Alberta, but my father’s is from Southern Saskatchewan.  My Alberta friends have commented in the past that they can hear an accent in my father’s voice, but owing to subtleties, they are unable to accurately place where it from until I tell them he grew up in Moose Jaw, Saskatchewan.  My father’s accent is difficult to place for Albertans, because it’s from a transition zone – a half-way English accent between Alberta’s accents and those further East, such as an Ontario English accent, as well as shared characteristics from accent areas south of Moose Jaw, such as the Dakotas and the Fargo regional accent).  It might be more common for people from “T” regions in Québec to be asked where they are from, since their accent may not be as clear-cut as someone, say, from Lac-St-Jean, the Montréal area, or Gaspésie.

SA – Standard Acadian

Acadia’s standard French has not taken the same path of Québec’s standardization.   Québec’s standardized French is a relatively new norm of International French (never lose sight of the fact that “Standard Québécois” IS “International French”, just with some localized words & expressions, and of course, a different accent).   However Acadia has always had some semblance of a standard form of Acadian French.   Whereas Québec French found its origins in over a dozen regions of 1600s France, Acadian French predominately arose from 3 or 4 regions of 1600s France, all regions of France which had similar accents.   In this sense Acadia’s initial inhabitants, unlike those in Québec, did not have to reconcile many different dialects and accents which existed in France at the time of settlement (in the 1600s).   This lead to a relatively rapid standardization of the language in Acadia a long long time ago (but also resulted in a much greater number of archaisms, and even unique traits such as the preservation of the numbering lexicon soixante, septante, huitante, nonante in some regions of Atlantic Canada).


That being said, Acadia has been continuously inhabited as a French speaking area, with a head-start even on Québec.  In many ways, Acadia is the founding cradle of French civilization of French in Canada and the Americas (with Port-Royal, in present day Nova Scotia, being an older settlement than even Québec City).  But, because of the mass deportation in the 1700s, the Acadian community in the Maritimes became parceled, and several additional regional French accents within Atlantic Canada began to develop in isolation– in spite of the existence of a standard form of the language.   To this day, there are many villages and regions in Acadia with their own accents.


New Brunswick’s government is actively promoting bilingualism, and has in place institutions and legislation to protect Acadian French.   Along with modern education, universities, and infrastructure comes a renewed standardization.  I often find it interesting to hear fully bilingual Anglophones from New Brunswick who speak with an Acadian accent (and no English accent when they speak French).  For them, Standard Acadian “is” their French.   Many Acadian Francophone youth today are also adopting Standard Acadian as they leave the villages.


This might be a good time to bring your attention to a YouTube video in which a gentleman from New Brunswick demonstrates various Acadian accents.  He narrates the video in Standard Acadian, but he provides some excellent examples of the more prevalent local and regional Acadian accents.     You can view the YouTube video below.

You can read more about Acadian accents in the post entitled

“Our 32 Accents” – Post 6:  (Atlantic Provinces x 11) (#91)

SA-T – Standard Acadian – Transition

The “T” in this case stands for “Transition”, in a geographical accent sense.   However Acadia is still very much is a patchwork of many localized accents.   SA-T comprises areas where the traditional accent may be transitioning to standard Acadian accent “SA”.  The tendency for youth in these areas may now be towards standard Acadian, rather than the local accent of their parents or grandparents.

MC – Michif

I’m giving special mention to Michif on the Wstern Canadian map.  Although it is not a French accent,  nor a dialect, it is a separate language, with perhaps 30% – 40% of its vocabulary derived from French.  It’s a mix between Cree and French, and exists only in Western Canada (and parts of the North-Central US which hug the Canadian border).   It derived from French fur traders marrying Cree women in the 1700s.   As far as languages go, it is very unique in that its nouns are French words, and its verbs and other grammar markers are Cree (a combination language – a very very rare type of language, different from even a creol language).  With perhaps only 700 to 1500 speakers left (mostly in Manitoba), it is in great danger of disappearing.  But hope is not lost, and Michif language centres now exist in Winnipeg and Edmonton, as well as revival-immersion programs for youth.


The language is also getting more attention as a uniquely Canadian language representative of modern aboriginal history.  For these reasons, it was used as the 3rd official language in yesterday’s national Remembrance Day ceremonies in Ottawa (both in the written programmes and in speeches).   Here is a link for a very interesting article:  http://sprogmuseet.dk/amerika/et-umuligt-sprog-som-eksisterer-michif/.   The article is in Danish, but you can use Google Translate to convert it to English.   In the embedded video, you will be able to clearly hear the French nouns being spoken amongst words derived from Cree (which is something remarkable considering the language is 300 years old, but the French words have remained the same, both in meaning and pronounciation).  I have also read that speakers of Michif cannot understand French or Cree any more that what we (French speakers) can understand Michif – which, apart from some individual words, is nothing.  It’s very interesting.

Western Provinces (particularly the Prairie provinces)

You’ll note that I did not indicate any “standard” accents in Western Canada.  Rather, I marked various accent zones.  There are two major accent zones, but several sub-accent zones (there are at least 3 different accents in Alberta, 2 in Saskatchewan, and one major accent in Manitoba).

A video from MANITOBA (Featuring Manitoba’s French accent)

A video from SASKATCHEWAN (Featuring the Southern Saskatchewan sub-accent)


There is a LOT of info in the post on Prairie and Western French (click below).
Il y a BEAUCOUP plus d’info dans le billet sur le français des prairies et l’ouest du Canada (cliquer ci-dessous)



The next several posts

Click below to continue

The next several posts will examine each of the regional accents in more details (the numbers of the map).  As you explore the next several posts below, hopefully you’ll come to have a greater appreciation of the dynamic nature of Canada’s “Francophonie”.  Happy exploring!




Harmonium – Mythic Three Series (#84)

This is the last in a four-part series on “The Mythic Three”.  The first post gave the context (both politically and socially) to introduce the three subjects of this series;  Robert Charlebois, Beau Dommage , and now Harmonium.

Harmonium’s active period roughly ran parallel to that of Beau Dommage (Harmonium began as a group two years earlier than Beau Dommage and broke up roughly around the same time as Beau Dommage).

Unlike certain members of Beau Dommage, those members of Harmonium who were amongst the most famous (most notably Serge Fiori and Michel Normandeau), did not continue careers in the public limelight (although Michel Normandeau became a radio-show host on Radio-Canada’s Ottawa / Gatineau).  However, the members by-and-large did remain in the music industry (studio, teaching, or instrumentalist side of the industry).

The group’s music was associated with the political fervour of 1970’s Québec, and they did participate in some of the best known “political love-ins” of the day (such as the politically charged 1973 and 1976 Fête Nationale, which together attracted more than 600,000 in-person spectators).

Harmoniums songs remain famous and well-known, even to this day — just as those of Beau Dommage and Robert Charlebois remain popular can continue to played on the radio.

Some of Harmonium’s best known songs include:

  • Un musicien parmi tant d’autres
  • Pour un instant

Much in the same vein as Robert Charlebois’ and Beau Dommage’s music, Harmonium’s music today does not carry the same political sense that it did 30 years ago – perhaps a sign of the times.  Nonetheless, they’re cherished as in integral part of Québec’s culture, and continue to be popular.

Their music is for sale through various platforms.  Please stick to official websites and do not pirate.  Our artists form part of our collective cultural fabric.

Beau Dommage – Mythic Three Series (#83)

This is the third post in our four-post series on The Mythic Three.  A few posts earlier I spoke about Michel Rivard, Beau Dommage’s lead singer.

I said Rivard was the lead singer because he is most often associated with group’s male vocals, however, in the same post, I also referred to his group, Beau Dommage as a type of French Abba.  This latter description may be more accurate because there were a couple of male vocals (Michel Rivard, Pierre Bertrand) and one female vocal (Marie Michèle Desrosiers), as well as a couple of other members on instruments.

Although Beau Dommage was only active as a group for a bit more than four years in the 1970’s, you however would think they were together for 40 years judging from their place in music history, their success, and their continued popularity.

Just as Abba broke ground by bringing pop-folk-rock groups to the forefront of the Swedish music industry, so did Beau Dommage for Québec.  Along with the group Harmonium (the subject of the next post), Beau Dommage is synonymous with a transformation of music in Québec, during a decade full of change (see the timeline in “The Mythic Three” post).

Like Robert Charlebois music, that of Beau Dommage rallied the youth of the 1970’s around their music, and helped to channel their fan base towards sovereignty.  Beau Dommage served as a metaphorical banner, in the form of music, for the movement and Québec identity of the day.

The group disbanded at the end of the 1970s, after making only four Albums.   This is a huge contrast with Robert Charlebois’ 40-year career, during which he released scores of albums and songs.   But it is probably because Beau Dommage only released four albums that everyone knows all their songs.    They’re amongst the few groups that the public can readily sing all their songs and all their lyrics without tripping up.

Since disbanding, Beau Dommage has periodically come back together for reunion performances, and they did release a subsequent reunion album in the 1990s.   But for the most-part, their members went their separate ways and pursued separate careers after 1978.   Despite his own career, Michel Rivard has become synonymous with the group, as has Marie Michèle Desrosiers.   Both are still highly visible in the media and music scene.

And like Robert Charlebois’ music, Beau Dommage’s music is still commonly heard on air, but is no longer considered political (despite it’s political echos from the past).  It’s now appreciated simply as music, not necessarily a political message in itself – especially by the two generations who grew up since the 1970s (those under 40 to 45 years old).  In fact, it’s likely under 30’s no longer even make any political association with their music.

Some of Beau Dommage’s (and also Québec’s) most well-known songs are:

  • La Complainte du phoque en Alaska
  • Le blues d’la métropole
  • Le Picbois
  • Ginette (but this Ginette was not “Lette”! Clin d’oeil à Stage Lacroix).
  • Harmonie du soir à Châteauguay
  • Le géant Beaupré

Their music is available for sale through various platforms.  Please stick to official sites and do not pirate.   Our artists form part of our cultural heritage.

Michel Rivard (#80)

One of the most iconic, culturally and politically significant music groups in Québec and Canadian history, ever, is the 1970’s group Beau Dommage (Canada’s French “Abba”, if you will – forever changing the face of Québec music and cultural coming-of-age).

But the lead singer, Michel Rivard, is a star in his own right – forever tied to the living legacy of Beau Dommage.  He therefore holds a special place in the hearts of Québécois as being a part of their living history, a living cultural legacy of La Révolution Tranquille, and everything that period embodied.

He’s more a spiritual figure with guru status – in a sense, a living founding father of modern Québec.  If Québec history is not your strong point, it would require me to give a history lesson to help you fully grasp his significance.

Suffice to say, I can’t even imagine what it must be like being Michel Rivard – or what the public’s reactions must be when they run into him on the street.  I’m sure there is demographic out there who would want to just touch him, or kneel down and kiss his hand – and I’m not joking.  He’s politically active, so that demographic would be specific, but it wouldn’t be small.  Regardless if I do or do not agree with his politics, he also has my respect.

This is one guy I would love to sit down with over a meal – I have a billion questions I would want to ask him.   By simple nature of the significance of Beau Dommage, he was a pole of gravity through some of most dramatic moments in modern Québec history.

Now for the the elephant in the room (as there often is)…    I’ve recommended a number of times to Anglophone friends that they should view Rivard’s now famous 2008 YouTube video if they want to get a sense of the flip-side of the coin – of how things can politically feel for many Francophones who have political views of Québec’s place in Canada (or rather, not in Canada).  And I’ve likewise recommended to Francophone Canadian friends that they too should watch the video so they know just how much some issues can be over-exaggerated, twisted, and misrepresented.   So, there’s my “on-the-fence” point of view for you – making opposing points with the same video, but different arguments depending on which linguistic group I’m showing it to.   It always makes for great discussion… or at the bare minimum, causes an awkward silence … (hahaha – my sick humour – but it’s 2014, so sometimes you need to just take it with a grain of salt).    You can view the YouTube video here:

(For English subtitles, turn on the YouTube “closed caption” function when you open the video).

Anyway, I love Michel Rivard’s music, I respect the man, I cherish Beau Dommage’s place in history, and his politics make for great discussion (regardless of one’s political stripes).