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The Three “Martins” : Introduction (#191)
Here’s a little Quiz for you (answers will be at the bottom) …
- Did you know that “Martin” is the most common surname (family name) in France?
- But in Québec, “Martin” is not the most common surname. What is it?
- Montréwood’s, Québec’s and Canada’s Francophone pop-culture scene has three well-known “Martins”. Most Francophones know them. Who might they be?
Hints:
- The first one is Franco-Manitoban (from Winnipeg). His surname is “Martin”.
- The second one is from Québec. His given name is “Martin”
- The above two guys look very similar (their physiques are so similar that some people actually mix them up).
- The third one is also from Québec. His given name is also “Martin”, but he looks nothing like the first two.
- All three are stand-up comedians, but they also have their own television programs — either as actors or as hosts.
- All three are in high demand for television and event appearances; so much so that we have seen them as regulars on the talk show circuit, in gala events, and as invited interview guests for years. Bluntly put, all three are staples of the Montréwood and Francophone pop-culture scene.
- Additional hints:
- The first one has an adolescent daughter, Livia, who is regularly referred to in the media when they talk about her dad.
- The second one likes to talk (I mean really likes to talk)
- And you would think that the third one likes to fish.
- All are around the same age
Stumped?
Here are the answers:
- Most common Québec surname: “Tremblay”
- The three famous “Martins” :
- Maxim Martin
- Martin Matte
- Martin Petit
See if you agree with everyone else that Maxim Martin and Martin Matte look alike. Here are google images of them:
We’ll learn more about these Martins in the next three posts.
In the meantime, I’m off to see if I can still get tickets for Maxim Martin’s big comedy show here in Montréal tonight (I drive back to Toronto tomorrow… so tonight’s my last chance to take in his show). Talk to you again soon!!
“L’Autre midi à la table d’à côté”; Mofatt – Tremblay discussion summary, post 3 of 3 (#152)
This post will tie the last two posts together, and you can use the audio track to as an opportunity to work on improving your French (if you’re at an elementary or intermediary level), or to help you develop an ear for French (if you’re at a more basic level).
In the audio track of this episode of radio program “L’Autre midi à la table d’à côté” (The Other Afternoon, at the Next Table…”), Ariane Moffatt and Guylaine Tremblay sit down for a one-on-one meal together. I get the impression they have never met before, but they spend the hour learning about each other, and focusing on what they have in common.
Both are mothers, but both did not carry their own children (in Moffatt’s case, it was her spouse who carried their children, and in Tremblay’s case, her children were adopted). They also speak about a number of other topics regarding children (such as Christmas and childhood memories).
I think you’ll hear both of their personalities shine (the intimacy and one-on-one nature of the conversation greatly facilitates the conversation).
The dialogue summary (below) is written in chronological order with the audio track, highlighting various discussion points and the dialogue continues. You can use the summary as a crutch when listening and improving your French listening skills.
The official link-page for this episode of L’Autre midi à la table d’à côté can be opened by clicking HERE. (Click “Audio fil” half way down the page… that will open an audio window with the sound track).
Dialogue summary;
- Both spoke of Christmas as children and their Christmas experiences with their own children, what they like about Christmas, and how it fits in with their own experiences.
- Guylaine talks about how Christmas in Québec used to be celebrated different than how it is celebrated now (mass traditions on Dec 24th have been moved to 7pm now from midnight decades ago). She says Christmas today seem to be all about gifts, whereas when Guylaine was a child, she could hardly remember receiving any gifts.
- Ariane talks of her family’s Christmas traditions.
- Ariane talks of how she slowly starting to fall into music as a child, and her family’s role in influencing her artistic talents. Guylaine also shares her childhood development stories and relates them to her family.
- They talk about their different styles of communication and how they perceive their respective styles.
- Guylaine took her two daughters to the 2012 protests, “le Printemps érable” to protest university tuition hikes
- (Comment: “Le Printemps érable” (the “Maple Spring”) was a period of mass student protests in Québec in the spring of 2012, which greatly divided Québec society as a whole. Students refused to accept government tuition hikes – and (in a very very general sense) it pitted right-against-left, and opposition parties against the government at the time. Many believe it had a direct impact in the defeat of the Charest government, but it left much bitterness in Québec’s society – involving accusations flying everywhere; against the government, the opposition, school bodies, and even the media. It also greatly divided student bodies).
- Guylaine talks about having being an angry child, and how she still becomes vexed and involved if she believes there’s an action she judges to be unjust.
- (Comment: This actually surprised me when she said this – she seems like such a calm, cool headed person whenever I have seen her in interviews, the type of person with measured and empathetic emotions. It seems like this is a part of her character which she doesn’t regularly show in interviews – but she also seems very self-aware, which in itself is a very good thing – regardless if you do or do not agree with her politics or the battles she chooses to fight, and how she chooses to fight them. Something also quite interesting is that she states she took her children to the protests. I also found this surprising because many people were criticized for taking their minor children to events which (a) involved much emotion which minor perhaps could not have conscious control over, and (b) periodically turned quite violent, resulting in many arrest and police action. However, I do not know the context in which she involved her own children. All-in-all, I find what Tremblay says to be extremely interesting. I will probably pay much more attention to her public appearances in the future. Like I said in the earlier post about her, she has a personality I really like and greatly identify with, even if I don’t agree with her politics. And I have learned many other things about her in the last couple of years, which makes her a very intriguing figure. I don’t have to agree with her views on various issues to have to like her – and I still very much like her. She’s the type of person who is difficult not to like – and as you listen to the audio track, I venture to say you’ll agree with me).
- Both spoke about how they act upon what they feel is right (Ariane speaks about her own coming out, and both talk about how society has changed to be accepting of the new normal).
- Both speak about their choices to have children which they didn’t carry themselves, and what their children signify to them in this context, and in general. Guylaine said people often ask her “Do you love your children as much as if you had carried them yourself?”
- They speak of their worries as mothers.
- At 44:00 minutes, they sing a Capella songs which bring back Christmas memories for both. For the remaining 15 minutes of their meal, they just sing Christmas carols. You may be interested in this part, because they sing certain carols which do not exist in English – and even for me, they brought back memories from my childhood when much of that period of my life was in French.
I hope you enjoyed this 3-part mini blog series, and found it insightful on a few fronts.
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MINI “EAVESDROPPING” SERIES
- Ariane Moffatt – An “eavesdropping” short series: Moffatt-Tremblay – Post 1 of 3 (#150)
- Guylaine Tremblay – An “eavesdropping” short series: Moffatt-Tremblay – Post 2 of 3 (#151)
- “L’autre midi, À la table d’à côte”; Moffatt-Tremblay discussion summary post 3 of 3 (#152) (with link to the radio episode)
Guylaine Tremblay – An “eavesdropping” short series: Moffatt-Tremblay – Post 2 of 3 (#151)
Few television actresses are as recognizable as Guylaine Tremblay. She has played central rolls in some of Montréwood’s most successful TV drama and comedy series, which have included La Petite vie, Omerta, Unité 9, and Les Rescapés.
I recently listened to an on-air radio interview in which Marina Orsini interviewed Guylaine Tremblay. In the interview, I think Orsini hit the nail on the head when she told Tremblay she believes Tremblay’s public appeal lies in her being someone the public can identify with – the person who could be anyone’s sister, mother, or daughter – and that it is not only reflected through her acting rolls, but how she leads her life in general.
Tremblay is the mother of adopted daughters (the theme of not carrying one’s own children is a theme which Tremblay and Ariane Moffatt discuss in detail – which I present in the next post), and lives with her husband.
I will say, one thing which caught my eye (actually quite surprisingly) was when Tremblay politicised herself (at least in the sense of giving herself a public political label in the mind of people who have followed her career). I say this because, over the course of her 30 year career, she’s someone I, and others, grew up watching in Western Canada (she is very well respected by Francophones, Francophiles, and French speaking Anglophones all across Canada) – and she was someone I always considered to be part of my own cultural sphere. She unexpectedly appeared (at least for me it was unexpected) on stage at the Parti Québécois’ “Rassemblement national” prior to last-year’s election. That doesn’t bother me in-and-of-itself (I think political engagement is important and a necessary part of our democracy – and a society must have to have opposing political views to make keep the democratic process healthy and make it work). But it has always felt like a case of “innocence lost” when actors and actresses take on a high-profile political stance (regardless of the political party or ideology) — and when they do, it always seems to feel like they jumped off the pedestal on which you purposely wanted to place them. When I saw Tremblay get on stage that night, I can distinctly remember thinking to myself “Oh man! Guylaine, of all the things you could have done, why did you have to go and choose to do ‘this thing’?”. It’s a bit disconcerting, because as the public, we tend to think that our actors and actresses belong to all of us, regardless of political stripes. In that sense, they are so often a point of commonality and unity in a world often filled with petty divisions and differences. That’s one of the beautiful things of the acting profession which should be cherished. But then some go and take that feeling away by placing themselves in a political camp – basically saying, there’s “us” and then there’s “you”. It’s just not a nice feeling.
But I suppose at the end of the day, there is still a human behind every acting role, and everyone has the right to express their political beliefs – and we should respect everyone’s right to make such choices. It’s maybe not a pleasant reality, but we live in a very real world, not in utiopia.
Regardless, she’s still an amazingly talented actor, one of the best Québec & Canada has – and all the drama series in which she appears would not have nearly the same degree of a human element without her (she is a very human person – and anytime I see her true personality in interviews, I really get the impression she could so easily have been any of the bubbly, kind, caring, and empathetic people I grew up with in Alberta, or anywhere, really – be it friends or family… that’s why I really like her).
In the next post, we’ll take a brief look at a summary of the conversation Guylaine Tremblay and Ariane Moffatt had when they met and shared a one-on-one meal on L’Autre côté à la table d’à côté.
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MINI “EAVESDROPPING” SERIES
- Ariane Moffatt – An “eavesdropping” short series: Moffatt-Tremblay – Post 1 of 3 (#150)
- Guylaine Tremblay – An “eavesdropping” short series: Moffatt-Tremblay – Post 2 of 3 (#151)
- “L’autre midi, À la table d’à côte”; Moffatt-Tremblay discussion summary post 3 of 3 (#152) (with link to the radio episode)
Ariane Moffatt – An “eavesdropping” short series: Moffatt-Tremblay – Post 1 of 3 (#150)
Much like the last three posts, I’d like to keep the same format for the next several posts (a 3-part mini blog-series, with the first two parts featuring two famous people, and the third part directing you to the audio website of L’Autre midi à la table d’à côté, where you can hear the conversation between the two famous individuals). In this case, we’ll be focusing on Ariane Moffatt and Guylaine Tremblay. With that, lets get into the first post of this next mini blog-series.
In any culture, there seems to be two types of singers & musicians who garner mass public attention.
There are those who are one-hit wonders (you know the type – they come out with a catchy tune, are overplayed on the radio for a few weeks or a couple months, and then people get sick of them and they disappear forever).
Then there are those other ones who consistently come out with high quality work, a major hit or album here and there over the years, and they always seem to be there in the background, making long-lasting contributions to a society’s music. Eventually they become part of a society’s collective cultural identity. Ariane Moffatt is one such singer.
She was born in 1978, and her career really took off in the early 2000’s with a hit album Aquanaute. Over the last decade, she has released a number of other albums. Her numerous Félix Awards – one of Québec’s highest music awards – and her platinum and gold albums attest to her popularity.
A couple posts ago, I mentioned that Charles Lafortune is a host of the hit television singing competition program La Voix (The Voice). Likewise, Ariane Moffatt is a judge on La Voix (You don’t become a judge on a show like that unless you’ve made it, bigtime!).
When discussing singers or actors, it’s always tricky when trying to describe who might be a similar Anglophone Canadian equivalent. Everyone is truly their own person, with their own style – so I hesitate to give comparisons for fear of overgeneralizing. But if I had to pick a couple names, I would say that many of her songs have traits in common with the “softer” side of Alanis Morissette’s (and perhaps even the softer side of Ireland’s Sinead O’Connor). But even with that, Moffatt definitely ventures into other genres, and usually remains loyal to heavy guitar tones to carry many of her songs.
In a couple posts from now we’ll be looking at the conversation Moffatt has with Guylaine Tremblay, Therefore, I’ll quickly mention a bit about her personal life to set the scene for this later post. Moffatt came out a couple of years ago on the wildly popular show Tout le monde en parle. She has a spouse, and they’re raising their two children. Much of the conversation with Tremblay will focus on this aspect of her life.
If you’re looking for some of her work, some of Ariane Moffatt’s better known songs include:
- Je veux tout,
- Réverbère,
- Point de mire,
- Mon Corps,
- Imparfait,
- Hasard,
- Blanche,
- La barricade.
- Also, if you want to hear her interpret an Anglophone song in French, check out her interpretation of “Everybody Hurts”.
Ariane Moffatt’s official website is: www.arianemoffatt.com
Her music is for sale through various venues. Please stick to official sites and do not pirate (our artists are part of our cultural fabric).
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MINI “EAVESDROPPING” SERIES
- Ariane Moffatt – An “eavesdropping” short series: Moffatt-Tremblay – Post 1 of 3 (#150)
- Guylaine Tremblay – An “eavesdropping” short series: Moffatt-Tremblay – Post 2 of 3 (#151)
- “L’autre midi, À la table d’à côte”; Moffatt-Tremblay discussion summary post 3 of 3 (#152) (with link to the radio episode)